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You don't even need to separate the Regions first — just highlight the section you want to elevate, click the button and up it goes! Notice how the colour of each of the comp lanes transfers to the main Playlist too, so you can see where each Region has come from. At the time of writing, this is incorrectly listed in the Pro Tools Reference Guide as being all three modifiers plus 'V'. These are accessible from the Edit menu, and unfortunately lack shortcuts, but do enable you to create multiple or alternate comps if you need to.
To further help in the comping process, Digidesign have added a new feature that is hidden away in the Preferences. With this option ticked, Pro Tools automatically creates a new Playlist each time it loops round when loop recording, so that when you go into the Playlist comping mode, there are all the takes ready to go. If you have Sessions where you didn't, or weren't able to, use the new Playlist creation option, all is not lost. If there are no Playlists on a track, you'll see a miniature empty comp lane under the master track when you select Playlist view.
You can drag audio from the Region List into this small area under the main Playlist and Pro Tools will create a new comp lane for it. You can resize the comp lanes and the master Playlist together by clicking on the line between one of the lanes and dragging it up or down. You can also click on the vertical scale in the normal place and select from the contextual menu: again, all the comp lanes and the master Playlist will resize together.
When auditioning each segment of each take to determine the best ones, it's often handy to write down a rating scheme to try and put some sort of quantitive value on each segment. Pro Tools 8 lets you do this without mucking about with paper and pencils, because Digidesign have incorporated a rating system — which is, of course, saved with the Session. Digidesign haven't decided for you whether one or five is the best — you choose!
You can even apply a Rating on the fly during loop recording using this shortcut, as long as you do it before the take has finished. You can also display this rating scheme in the Regions by selecting Rating in the Regions submenu in the View menu Ratings can be displayed within Regions.
Once you've rated all your takes or Regions, you can choose not to see the duff ones. Pro Tools will now only show comp lanes that contain at least one Region rated three or higher. If your rating scheme works the other way round, you can hide lanes rated higher than a threshold value instead!
For instance, if you loop recorded around the first verse until you were happy, then did the same for the chorus, and so on, you might end up with lots of Playlists, most of which were empty at any given point. These options allow you to see only the comp lanes that have Regions within whichever section of the Session is defined by the edit selection.
All the team at Digidesign HQ have to be congratulated for developing such an excellent new comping feature — enjoy! This is another area that has been sorted out in Pro Tools 8. Digidesign have added a Quick Start window that appears when Pro Tools has finished booting up, and they have also consolidated the templates into a dedicated location inside the Pro Tools folder in the Digidesign folder in your Applications folder.
When you select Open New Session, the window changes and offers you the usual settings to create a new Session from scratch. Configure the settings to taste, click on the OK button, and up will come a Session of the desired flavour.
The other option is Create Session from Template. Digidesign have included a raft of templates, which the beginner should find helpful as examples of how a Session and mixer can be constructed, and your own templates can be added to this menu too. Open or create a Session that you want to make into a template, and when you are happy, select Save as Template from the File menu.
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